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We’ll design a brand identity, but branding is up to you.

Recently a prospective new client asked us some rather pointed questions about the nature of what we provided as brand designers, the difference between branding and marketing, as well as some other rather insightful queries. This client was a privately owned, relatively young company experiencing success and growth in their industry, but recognized the need to raise their game and present themselves with marketing and communications in a way that better reflected who they are—or who they wanted to be. But they had very little experience working with a brand design consultancy like ours and wanted to better understand us and what we could offer them. These questions are often on the minds of many who consider hiring us, so I felt it beneficial to reproduce that dialogue as it transpired via email:

What is a brand anyway? And what is the difference between branding and marketing?
Terrific question. To be successful, a brand must consistently provide quality and satisfaction; it must meaningfully distinguish itself from the competition to create customer preference; it must be relevant, convenient and easily accessible to its target audience; and it must appeal to their individual lifestyles, attitudes and beliefs. A successful brand is one that generates loyalty and affection because it provides a level of quality, trust, convenience, assurance and allure for which the audience is willing to pay a premium.

Marketing is more about the planning and execution of the concept, pricing, promotion and distribution of ideas, goods/services to create satisfactory exchanges. Marketing most often involves translating the idea of a brand essence down to something practical or tangible to its audience, whereas a brand is a living organism that is built up or torn down in the minds of your customers over time—sometimes by way of a thousand seemingly insignificant gestures or experiences.

For example. if you think about a city, here are some examples of one of the thousand small gestures that might contribute to its brand: The condition of the roads, reports on crime, calibre of the buildings, events and activities on offer, reputation of the police, proximity to other places, ease of transportation, economic viability, etc…Businesses locate in, people move to and travel to places that are friendly, interesting, dynamic and provide advantageous conditions for their needs.

What happens if we have an inconsistent brand?
This question a little flawed. I understand what you’re asking, but assuming the quality of your product and service are unwavering, there really is no such thing as an “inconsistent brand”, just inconsistent delivery of the brand (promise)…or a brand breakdown. Remember, it’s the consumer perception of the elements that comprise their impression and that make up your brand. Thus, you are in control of consistency.

If your products are known to be highly functional, beautifully styled, reliably made and supported by friendly staff and a terrific service support, then what happens when a customer experiences a product failure and calls in, only to speak to a rude, inexperienced call centre employee in Manilla? That is not technically a breach of your brand quality or promise, but it places you at terrible risk. People love to talk. And word of mouth is not only a powerful way to build a brand, but perhaps the fastest way to bring it to its knees. It used to take significant effort to write letters to companies or newspapers to complain about a company, but these days the immediacy of publishing to the Internet and social media can result in PR nightmares for companies who don’t respond quickly.

Why rebrand? What are the benefits of a current, consistent and positive brand?
Very often the trigger for a rebrand by an organization or company is that the existing identity and other elements are dated and no longer reflect the products/services on offer. Essentially, there exists what is referred to as a “brand gap”, which is the difference between what is portrayed/perceived and reality/your aspirations.

There are many examples of successful rebranding in the civic realm. A recent example is Moosejaw, Saskatchewan. They recently went through a full branding initiative, retiring their tired old city crest and creating a terrific new logo and tagline “Surprisingly Unexpected” to better position the city as a great place to live, work and play. A bit of info and background on the process and results can be found here: http://www.moosejaw.ca/branding.shtml

What process do you take a company through when they come to you for help?
We have a design process we’re very proud of—but so does everyone else. Descriptions of process are a dime a dozen and reduce methodology to rhetoric. For us it all starts with ignoring assumptions, asking smart questions and listening carefully. We like to start with a “phase zero” exploration of the context of the situation, immersing ourself in your company so we can thoroughly audit the current health of your brand and identify real opportunities before making any sweeping promises about what we can do to help.

Once engaged, we take our clients through a comprehensive brand discovery, which involves a series of interviews, exercises and explorations as we work together—with the client—to identify who the client really is, what they stand for, and what they aspire to become. Comparing this with the initial research work, often including preliminary research interviews with staff and customers alike, we then identify any gaps between where the client is now and where they want to be.

Once a truly core expression of the company’s brand essence has been established and agreed upon, we convert this to a series of simplified questions that test the core attributes of any marketing or communication initiative. If client stakeholders can’t agree that something meets those brand filter questions, then it doesn’t belong in the brand universe. Simple as that.

In the end, like John Jay of Wieden + Kennedy says, there is no one proprietary process that anyone can claim works best and we must not impose our style onto our clients. The greatest thing we can offer to our clients is to listen carefully to them with empathy, explore their situations thoroughly to understand their truth and their soul, and then offer an expression of their true essence in a way that is relevant to a greater number of people. If there is a better way to express this, I’d love to hear it.

What are the core traits of a brand design firm we should be looking for?
There are a thousand ways to answer this question, but I will defer to Alina Wheeler’s book Designing Brand Identity, which posits that there are 12 traits that the best brand identity design firms have in common:

  1. Strategic imagination. An ability to understand and align business goals with creative strategy and expression is critical.
  2. Process focus. A disciplined process is used to foster collaboration, build trust, and ensure responsible decision-making and results.
  3. Design excellence. Reducing a complex, meaningful idea to its visual essence requires skill, patience, and unending discipline, whether the endpoint is a symbol, a look and feel, or an integrated brand identity system.
  4. Irrefutable logic. Creating a new system or brand architecture requires an ability to communicate a compelling case for change to any decision-maker, from the CEO to the director of marketing to a division head.
  5. Alchemy. An ability to synthesize vast amounts of information and reduce it to a big idea. Also, an ability to cut through the clutter and see the “gold” in a marketing audit.
  6. Empathy and insight. An ability to be collaborative and understand the perspectives of all stakeholders, to suspend judgment and transcend politics.
  7. Flexibility and humor. An ability to keep an eye on the big picture despite constraints and challenges. A sense of humor always helps.
  8. Mindfulness and curiosity. An awareness of what is going on in the wider world and insight into best practices and the branding landscape.
  9. Tenacity. Boundless energy and the perseverance of a marathon runner are required to develop and refine key messages, new names, taglines, and branding guidelines.
  10. Organization. Phase by phase, email by email, presentation by presentation, file by file, tracking and documentation are key.
  11. Focus. First and foremost, the process must stay focused on the customer and their experience.
  12. Passion. Passion fuels excellence and inspires brand engagement.

I think this list is quite accurate and feel good about the fact that most, if not all, of these traits can be found at Industrial Brand. But I acknowledge that it is often difficult for business professionals to assess these attributes when selecting a creative partner and “fit” is often a driving factor that is so hard to quantify or even sometimes describe. If we’re not going to have fun working together, we probably shouldn’t.

What do you expect from us during this process?
Another terrific question! First, we expect you to do some due diligence and make sure you choose your creative partner wisely. Hopefully there’s a great fit between our organizations, but if there isn’t, that’s OK if there isn’t. We can help you find the right design firm if we’re not it. We also request that you be as honest as you can with us and trust us as objective external experts.

The ROI and value in what we do relies on you giving us access to key stakeholders and decision-makers, as well as your staff and clients—otherwise it’s difficult for us to truly design a brand strategy or identity that will resonate internally and externally. Of course we also request that you provide us with timely responses and approvals, respect our production management process, and pay your invoices in a timely fashion—we’re not a bank.

What if you provide branding for us and things don’t improve?
This reminds me of a pet peeve about graphic designers—especially those who specialize in identity design. They often act as though they suffer from a mild god complex, as though they are “chosen ones” destined to save clients like Neo in the Matrix. Even the most talented communication designer, capable of producing spectacularly gorgeous logos and collateral, can’t guarantee that all your business problems will be saved with a new identity or marketing strategy. It’s super important, obviously—hell, we argue that it’s the ticket to the dance—but we’re not going to pretend that the secret is a new logo. Anyone who tells you that is full of shit.

As discussed earlier, we can work hard on your behalf to bore into the heart and soul of both you and your customer. From this learning we can use our training, experience and intuition to design a strategy and identity for your brand that will hopefully resonate and be relevant to your audience, but at the end of the day branding is really up to you. Until the day comes that we have complete authority and control over the quality of your product or service, and the way all your staff treat your customers, then we can’t truly provide “branding”. If we work together and things don’t improve, well then it’s likely that we missed something far more sinister than the look and feel of your logo and visual language used in your communications and marketing materials.

Client: I understand now, thank you. When can we get started?

Sustainable Practices

We are concerned about our impact on the environment and strive to create business practices that support sustainability. In our business we strive to reduce our use of paper and take other steps to control our impact environmentally.

In our role as marketing strategists, designers and often as the lead in the specification and vendor qualification process for print production, we are in the position to educate, create and produce on behalf of our clients. Thus, we do so with the smallest possible environmental impact. In these pursuits we are currently taking the following initiatives:

  • Communicating via email (invoices, newsletter) where practical and client preference. This not only reduces paper, but also the carbon impact of mail sent via traditional means.
  • Convincing numerous client NOT to print excess collateral materials such as annual reports, and if possible avoid printing altogether in favour of producing online materials to be distributed electronically.
  • Educating our clients on the benefits of specifying paper from mills committed to sustainable production such as Forestry Stewardship Council (FSC); wind power, recycled content and carbon neutrality.
  • Selecting printers who are committed to sustainable practices through FSC certification process and their own efforts to use environmentally-friendly materials and reclamation processes.
  • Donation of used computers to schools and deserving charities, or environmentally safe disposable services.

A Clients Guide to Web Design

Time and time again when we present websites and online projects to clients we are met with blank stares and questions when we begin talking about the more technical aspects of what we do. From these questions we have developed a few examples of our practice that helps our clients understand why we do what we do.

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What Are You Investing In This Year? A lesson in perspective and humility.

I was recently asked to be a presenter at PechaKucha Toronto. Of course it was an honour and, telling myself that these sort of challenges lead to discovery and reward, I happily agreed. As the day grew near I started to fret—OK, I was freaking out a little. Not only was I struggling to find a topic suitable for the evening’s theme of “Design + Think + Passion”, but I hadn’t ever done a PechaKucha talk before and found the format surprisingly challenging. I was nervous.

Continue reading "What Are You Investing In This Year? A lesson in perspective and humility."

Tap into Talent? I’d say yes!

IEC BC Website Welcome BC Day Award

Recently the Government of British Columbia presented one of our valued clients with its 2011 WelcomeBC Day Award, in recognition of their innovative website developed by Yours Truly, the talented team here at Industrial Brand.

But never mind about us….here’s what they do that makes them special. The Immigrant Employment Council of BC (IEC-BC) provides a unique service to the community, connecting employers with motivated and skilled global talent, in a way that hasn’t been done before. Through www.tapintotalent.ca, prospective employers now have direct access to a wealth of labour market resources, including opportunities to connect with a pool of highly skilled immigrant talent.

After thoroughly understanding IEC-BC’s needs, we designed their site to be easy to use and visually-pleasing, but also to capitalize on a few key areas like highlighting a job-matching service with a database of hundreds of pre-screened, job-ready immigrant candidates, as well as the ability to post job openings at no cost. Everyone wins (and we don’t just mean awards!). We are proud to have worked on this project with a client that is a purveyor of positive, progressive change in the community.

Check out the IEC-BC case study in our portfolio or visit their website to read more about this amazing organization and all that they do.

Random Acts of Delight

We all have reasons for our love or disdain of Twitter.

It’s been around since 2006, which makes it about 400 in internet years—so it’s even somewhat shocking that it remains relevant. I don’t object that it has its share of self-involved, narcissists. I also can’t deny its strength as a tool for grassroots advocacy. In my day-to-day I utilize Twitter as a vehicle to deliver interesting stuff from handpicked curators, but the thing that keeps me tweeting, other than my desire to participate in a like-minded community not bound by geography, is something that Frank Chimero discussed at the Design Currency Conference in Vancouver in 2010- the element of delight in design.

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CreativeMornings coming to Vancouver

CreativeMornings is being brought to Vancouver, by our very own Mark Busse.

CreativeMornings is a breakfast lecture series started in New York by Tina Roth Eisenberg (@SwissMiss) for creative types happening the first Friday of each month. Each event is FREE of charge (thanks to sponsor support), and includes a 20 minute talk, with the added bonus of a proper hot breakfast and coffee.

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Summer Newsletter: It’s that time of year…

We recently sent our summer newsletter which covers topics like how to brew the perfect cup of iced coffee, a quick look at a couple recent success stories, an article about how businesses can select the best design partner, and an announcement about a couple additions to our growing team.

Hopefully you received a copy of the newsletter in your inbox, but don’t panic if you missed it, you can still view it online. Please sign up to be added for the next blast due in a few months (we try to keep them to a minimum).

Happy summer!

Substance Over Style article in BIV’s AdPages

An article titled Substance over Style by our Design Director Mark Busse was recently featured in the latest issue of Business In Vancouver’s Adpages Magazine about how businesses can more effectively attract, evaluate and select a design partner. The article (reproduced below) argues that procurement strategies such as RFPs can produce unrewarding outcomes and offers some tips and guidance for businesses seeking a relationship with creative firm.

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Know your food


Sometimes it is convenient that our food world and our design world cross paths. Recently Foodtree asked us to help rebrand in the time leading up to the launch of their new iPhone app and City of Vancouver collaboration. Rolled out simultaneously in Vancouver and Colorado, we crafted a new logo, complete icon system for the app, signage and materials for on-site promotions. Continue reading "Know your food"

To love a ligature

Used in situations where two adjacent characters would bump into each other, there are two types of ligatures, standard ligatures and discretionary ligatures.

Most people are acquainted with the ampersand, the celebrity of the ligature world, but that is comparable to the ability to identify Jim Morrison–it doesn’t mean you know the entire Doors discography nor the history of Classic Rock. Knowledge of design holds a certain amount of cultural capital in our society, and although some seem to have a certain proclivity for it, for most it takes effort, training and practice to speak it fluently.

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Interlink Conference: helping designers help people

Speaker Elliot Jay Stocks at the Interlink Conference. Photo by Steve Mynett

An edited version of the following article was published on DesignEdgeCanada.com on June 7, 2011:

Walking into the Interlink Conference felt a bit like witnessing two worlds collide. Half the audience was the hardcore designer set, with their retro haircuts and designer eyewear, the other half developers, with their nerdy t-shirts and techno-gadgets. Or was it the designers with the tees and toys and the nerds with the hipster fashion? The crowded auditorium at Capilano University was a sea of glowing Apple logos, and the line between designer and developer was so blurry it didn’t seem to matter anymore. In fact, perhaps that was the point. All of the more that 300 attendees and 15 speakers that came to Interlink Conference June 2 to 4 were there to share and learn from each other about how to make the web a better place and help people make their lives better.

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Interlink Conference: peer-to-peer web design event kicks off

The Interlink Conference started with designers dodging balls

The following article was published on DesignEdgeCanada.com on June 2, 2011:

Web design veteran Shawn Johnston was frustrated by a lack of local forums for progressive conversation and collaboration aimed at propelling the web from a new industry into a mature and self aware craft. His response to this angst was the Interlink Conference, which launched this week with a dodgeball game. That’s right, dozens of the best and brightest in the field of web design and development from around the world kicked off what Johnston calls “an adult conference for serious adults” by throwing rubber balls at each other’s heads.

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Rounding out the team

Industrial Brand is excited to welcome two new members to our growing communication design team.

Sylvia Rigakis comes to us from Edmonton Alberta where she owned and managed her Chaos Communications for 14 years and served as President of the Society of Graphic Designers of Canada (GDC) Alberta North Chapter as well as Vice-President, Communications for the national executive of the GDC. A graduate of Emily Carr University of Art and Design and Grant MacEwan University, Sylvia brings over 20 years of experience as a designer, director and manager as she assumes the role of Production Manager, overseeing all aspect of project and studio management.

Tyler Wilman is a talented young designer adept at identity, print and web design and production, making him a perfect fit for our team. Also a graduate of Emily Carr’s Communication Design program, Tyler combines with conceptual thinking, obsession for type and photography, and traditional graphic design process to bear as a Senior Communication Designer and leader on our team.

Welcome Sylvia & Tyler! We’re pleased to have you on the team and already enjoying collaborating with you on the brand, identity, communication and interactive projects in the studio recently.

An Event Apart


A week into starting my job here at Industrial Brand I found out I was going to a web design conference with our art director, Matt. I hadn’t heard of An Event Apart (AEA) before, so I went to the conference website and started reading up on the speakers. We were in for 12 speakers over the first two days, followed by a third day all about mobile web design.

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